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Jaime Green is a freelance writer, editor, and writing teacher who writes about books, culture, and science. She is the author of The Possibility of Life: Science, Imagination, and Our Quest for Kinship in the Cosmos, and she is the series editor for The Best American Science and Nature Writing. Previously, Green was associate editor of Future Tense, a collaboration of Slate, New America, and Arizona State University, the writer behind The New York Times romance book review column, and the creator, host, and producer of the podcast The Catapult. She has taught at Columbia University, Eugene Lang at The New School, Catapult, and the Sackett Street Writers’ Workshop, and she is currently a lecturer at Smith College.

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To read the full interview, visit Fiction Advocate, and be sure to check out the previous installments of Non-Fiction about Non-Humans with Bethany Brookshire, Sabrina Imbler, Erica Berry, Tove Danovich, and Karen Fine!

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Judy Bolton-Fasman is the author of Asylum: A Memoir of Family Secrets. Her essays and reviews have appeared in major newspapers, essay anthologies, and literary magazines. She is the recipient of numerous writing fellowships, and a two-time Pushcart Prize nominee.

This month’s guest Non-Fiction by Non-Men interviewer is Jane Kokernak. She works and teaches scientific writing at Northeastern University. Her essays have published in Pangyrus, Bellevue Literary Review, Technology Review, Medium, and elsewhere.

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Anna Qu is a Chinese American writer and the author of the memoir Made in China: A Memoir of Love & Labor. She holds an MFA in Creative Nonfiction from Sarah Lawrence College, and her essays about identity and growing up in New York as an immigrant have been published in Threepenny Review, Lumina, Kartika, Kweli, Vol.1 Brooklyn, and Jezebel, among others. Qu is the Nonfiction Editor at Kweli Journal, and she teaches at Sackett Street Writers’ Workshop and Catapult. She lives in Brooklyn with her partner and their cat, Montague (Momo for short).

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Aminatta Forna was born in Scotland, raised in Sierra Leone and Great Britain and spent periods of her childhood in Iran, Thailand and Zambia. She is the award-winning author of the novels Happiness, The Hired Man, The Memory of Love and Ancestor Stones, a memoir, The Devil that Danced on the Water, and the essay collection, The Window Seat: Notes from a Life in Motion. Forna’s essays have appeared in Freeman’s, Granta, The Guardian, LitHub, The Nation, The New York Review of Books, The Observer and Vogue. She has written stories for BBC radio and written and presented television documentaries including “The Lost Libraries of Timbuktu” (BBC Television, 2009) and “Girl Rising” (CNN, 2013). Forna is a Fellow of the Royal Society of Literature and a member of the Folio Academy. She has acted as judge for the Samuel Johnson Prize, the Bailey Prize for Women’s Fiction, the Sunday Times EFG Short Story Award, the Caine Prize and the International Man Booker Prize. In 2003, Forna established the Rogbonko Project to build a school in a village in Sierra Leone. The charity has also run a number of projects in the spheres of adult education, sanitation and maternal health.

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I first learned about Vince Granata’s memoir Everything Is Fine through my friend who is friends with one of Vince’s friends, and when I hopped on the phone with Vince, we naturally figured out we had yet another friend in common. Even though Vince now lives in Texas, he spent his 20s in the Boston area, where I have lived most of my life. Everyone knows everyone through someone else in Massachusetts it seems. It’s a small world.

It’s a small enough world that even before I read Vince’s searing memoir about the murder of his mother at the hands of his schizophrenic brother, I remembered hearing about the news story. I’ve long been someone interested in reading about the darker aspects of life, and Vince’s memoir might just be one of the darkest books I have ever read. There is nothing easy or light about reading Vince’s family’s story. And yet, while Vince’s book does not shy away from some of the hardest – the hardest? – things a family can grapple with, his memoir is one of the most empathetic, kind, and human works I have ever read. There is also a history of schizophrenia in my own family, and Vince’s book provided the nuanced and thoughtful approach to a devastating mental illness that is absent in so many pop culture narratives. I was thrilled to get the chance to speak with Vince and ask him about what it took to write this remarkable work.

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Elissa Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of My Body Is a Book of Rulesand Starvation Mode, and her book White Magic is forthcoming from Tin House Books. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She has received fellowships and awards from the National Endowment for the Arts, Creative Capital, Artist Trust, 4Culture, and Potlatch Fund. Elissa is an assistant professor of creative writing at the Ohio State University.

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Koa Beck is the author of White Feminism: From the Suffragettes to Influencers and Who They Leave Behind . Beck is the former editor-in-chief of Jezebel and co-host of “The #MeToo Memos” on WNYC’s The Takeaway. Previously, she was the executive editor of Vogue.com and the senior features editor at MarieClaire.com, and she was a guest editor for the 2019 special Pride section of The New York Times commemorating the 50th anniversary of the Stonewall riots. Beck’s literary criticism and reporting have appeared in TheAtlantic.com, Out, TIME, TheGuardian.com, Esquire.com, Vogue.com, MarieClaire.com, among others. Her short stories have been published in Slice, Kalyani Magazine, and Apogee Journal. She has been nominated for the Pushcart Prize and serves on the board of directors of Nat.Brut, an art and literary magazine, as well as on the advisory board of GALECA: The Society of LGBTQ Entertainment Critics. In 2019, Koa was awarded the Joan Shorenstein Fellowship at the Harvard Kennedy School, publishing an academic paper entitled “Self-Optimization in the Face of Patriarchy: How Mainstream Women’s Media Facilitates White Feminism.” She lives in Los Angeles with her wife.

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Being more open about how and from who writers and artists receive support (financial, emotional, otherwise) is something that I care a lot about, and I am thrilled that Fiction Advocate has started the series “How I Got Here” to promote a transparent dialogue about these issues. My essay in the series was one of the hardest, most vulnerable, scary essays I’ve ever written, but I’m glad it’s out there now. Thank you to Fiction Advocate for running the piece, and for Brian Hurley, my editor, for encouraging me to write it and for his kind, thoughtful edits.

Click here to read the piece on Fiction Advocate.

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Marcia Trahan is the author of Mercy: A Memoir of Medical Trauma and True Crime Obsession. She earned a bachelor of arts in psychology from the University of Vermont and a master of fine arts in writing and literature from Bennington College. Trahan’s essays and poetry have appeared in numerous publications, including the Brevity Blog, Fourth Genre, apt, Clare, Anderbo, Blood Orange Review, Connotation Press, Kansas City Voices, and the LaChance Publishing anthology Women Reinvented: True Stories of Empowerment and Change. “Bloodletting,” a post-cancer narrative, was nominated for a Pushcart Prize. Her work has twice received honorable mention in the New Millennium Writing Awards. Trahan lives in South Burlington, Vermont, with her partner, Andy, and their crazed feline companion, Bela.

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