Rebecca Renner is the author of Gator Country: Deception, Danger, and Alligators in the Everglades, which was named a most anticipated nonfiction book of 2023 by BookPage. Renner is also a contributor to National Geographic, and her writing has appeared The New York Times, Outside Magazine, Tin House, The Paris Review, The Guardian, The Washington Post, The Atlantic, and other publications. She holds an MFA from Stetson University, and she lives in her home state of Florida.

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To read the full interview, visit Fiction Advocate and be sure to check out the previous installments of Non-Fiction about Non-Humans with Bethany Brookshire, Sabrina Imbler, Erica Berry, Tove Danovich, Karen Fine, Jaime Green, Cat Warren, Gloria Dickie, Karen Pinchin, Rosanna Xia, Maddalena Bearzi, and Linda Hogan!

The post Non-Fiction about Non-Humans: Rebecca Renner appeared first on E.B. Bartels.

If you’d like to hear Tove Danovich and E.B. Bartels in conversation in person, come to Porter Square Books in Cambridge, MA tomorrow (Friday 4/7/23) at 7pm! To register and learn more information about the event, click here.

Tove Danovich is the author of Under the Henfluence: Inside the World of Backyard Chickens and the People Who Love Them. Her work appears in The New York Times, The Washington Post, The Ringer, Eater, NPR, Vox, Grid, and many others. Her articles have been selected for The Year’s Best Sports Writing and Best Food Writing and have been notable selections in Best American Food Writing and Best American Travel Writing. She has been interviewed about her work by 99% Invisible, Marketplace, KERA Think, Christopher Kimball’s Milk Street Radio, and others. She lives in Portland, Oregon and works as a freelance journalist.

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To read the full interview, visit Fiction Advocate, and be sure to check out the previous installments of Non-Fiction about Non-Humans with Bethany Brookshire, Sabrina Imbler, and Erica Berry!

The post Non-Fiction about Non-Humans: Tove Danovich appeared first on E.B. Bartels.

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I first learned about Vince Granata’s memoir Everything Is Fine through my friend who is friends with one of Vince’s friends, and when I hopped on the phone with Vince, we naturally figured out we had yet another friend in common. Even though Vince now lives in Texas, he spent his 20s in the Boston area, where I have lived most of my life. Everyone knows everyone through someone else in Massachusetts it seems. It’s a small world.

It’s a small enough world that even before I read Vince’s searing memoir about the murder of his mother at the hands of his schizophrenic brother, I remembered hearing about the news story. I’ve long been someone interested in reading about the darker aspects of life, and Vince’s memoir might just be one of the darkest books I have ever read. There is nothing easy or light about reading Vince’s family’s story. And yet, while Vince’s book does not shy away from some of the hardest – the hardest? – things a family can grapple with, his memoir is one of the most empathetic, kind, and human works I have ever read. There is also a history of schizophrenia in my own family, and Vince’s book provided the nuanced and thoughtful approach to a devastating mental illness that is absent in so many pop culture narratives. I was thrilled to get the chance to speak with Vince and ask him about what it took to write this remarkable work.

The post Interview with Vince Granata on Full Stop! appeared first on E.B. Bartels.

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When I finished Julian K. Jarboe’s debut short story collection Everyone on the Moon Is Essential Personnel, I was struck by how well they captured a world that was ours, but not quite ours. All the fears, anxieties, and terrors were painfully real, but transposed onto a universe that was both familiar and not. Immersed in Jarboe’s stories, I had that sense of being in a dream––one where you know you’re in your childhood home but it doesn’t look like the house you grew up in. I both recognized and didn’t recognize the places in Jarboe’s stories: a gentrified neighborhood now under water thanks to climate change felt a lot like Boston’s Seaport district, a version of the early 2000s where kids can time-travel back to try to rescue parents from the Twin Towers on 9/11, an America where the job market has become so dire that people are emigrating to the moon to find work, a rural home surrounded by fairies who steal human babies and replace them with changelings while parents wonder if maybe not vaccinating their babies would stop the fairies.

By the time Jarboe and I spoke on the phone a couple weeks after I’d finished reading, though, I was having trouble recognizing the world I lived in. Handshakes, hugs, and kisses were things of the past; people were bumping elbows instead, then keeping six feet apart, then avoiding each other all together. I was communicating with friends who lived down the street through Google Hangouts. I couldn’t see my parents and grandparents even though they only live a couple towns over. Doorknobs, light switches, phones, keys, elevator buttons, credit cards, and mail had become dangerous. Everyone was wearing gloves and masks. Stores were depleted of the most basic goods. Many of us were now working from home, exclusively communicating through screens; the most vulnerable and poor still had no choice but to continue going to work. It was a place I at once recognized but also didn’t; I felt as if I had been transported directly into one of Jarboe’s stories.

It seems appropriate that Jarboe’s publication date for Everyone on the Moon Is Essential Personnel was March 5, in the middle of this pandemic. This collection of stories is more than a clever take on the world we live in, reimagining our everyday problems with fairies and monsters, science fiction and myth. We spoke recently about how the places where we grow up influences our work, how to make sense of the world we live in now, and how to imagine a new and better kind of universe.

To keep reading the interview, head over to The Rumpus.

The post Who Has the Most to Lose? A Conversation with Julian K. Jarboe on The Rumpus! appeared first on E.B. Bartels.

Patrice Caldwell ’15 is the founder & fundraising chair of People of Color in Publishing – a grassroots organization dedicated to supporting, empowering, and uplifting racially and ethnically marginalized members of the book publishing industry. Born and raised in Texas, Patrice was a children’s book editor before shifting to be a literary agent at Howard Morhaim Literary Agency.

In 2018, she was named a Publishers Weekly Star Watch honoree and featured on The Writer’s Digest podcast and Bustle’s inaugural “Lit List” as one of ten women changing the book world.

Her anthology, A Phoenix First Must Burn – 16 stories of Black girl magic, resistance, and hope – is out March 10, 2020 from Viking Books for Young Readers/Penguin Teen in the US/Canada and Hot Key Books in the UK! Visit Patrice online at patricecaldwell.com, Twitter @whimsicallyours, and Instagram @whimsicalaquarian.

Wellesley Underground’s Wellesley Writes it Series Editor, E.B. Bartels ’10, had the chance to converse with Patrice via email about publishing, reading, and writing. E.B. is grateful to Patrice for willing to be part of the Wellesley Writes It series, even with everything else she has going on!

EB: When did you first become interested in going into writing and publishing? Did something at Wellesley spark that interest?

PC: For as long as I can remember, I’ve loved writing. It’s how I best express myself. That love pretty naturally grew into creating stories. I’ve always had a very vivid imagination. I’ve also always been pretty aware that publishers exist. I remember at a young age noticing the logos on the spines of books (notating the imprint/publisher), so by the time I was a teen I could recall which publishers published my favorite books (served me very well in interviews, haha) and was curious about that process. But I was a theater kid, intensely, that’s what I thought I would do, but then I decided to go to Wellesley and majored in political science (especially theory—I took ever class Professor Grattan, she’s brilliant) but then dabbled in a bunch of other subjects, including English. I think English courses definitely strengthened my critical thinking, but I absolutely do not think you have to be an English or creative writing major in order to work in publishing or be a writer. My theater background is just as helpful as is my political theory one. (I have friends who are best-selling authors who did MFA programs and others who never went to college.)

Wellesley was my safe space. I came back to myself while at Wellesley. I wrote three (unpublished) manuscripts during my time there, starting the summer after my first year, and I held publishing and writing related internships. I also took a fantastic children’s literature course taught by Susan Meyer (who’s a children’s author herself!) that changed my world. I highly recommend it. We studied children’s literature, got to talk to an author and a literary agent, and we wrote our own stories. I later did a creative writing independent study with her, and I truly thank Professor Meyer for expanding my interest in writing and publishing.

EB: How did People in Color Publishing come about? What goals do you have for the organization? What would you like people to know about it?

PC: I founded People of Color in Publishing in August 2016 to allow people of color clearer access into the book publishing industry, better support networks, and professional development opportunities. It really is about sending the elevator back down for others after climbing (& maybe even assembling) the stairs.

We’re currently working towards nonprofit status. You can learn more about us and our initiatives at https://www.pocinpublishing.com/ and sign up for our newsletter, which is incredibly well done. As you’ll see when you visit the site, the organization really is a team effort. I don’t and couldn’t do this alone; I’ve had an amazing team with me from day one. We each play to our strengths and work really well together. (The org is very active on Instagram and Twitter, too!)

EB: I am really excited about your collection A Phoenix First Must Burn, coming out from Penguin Random House on March 10, 2020. What inspired you to put together that anthology? What was challenging about the process of compiling the anthology, and what was rewarding about it?

PC: Thank you; I’m so excited for it as well. I talk about this more in the book’s introduction, but I was inspired by my eternal love for Octavia Butler—the title even comes from a passage in Parable of the Talents—as well as similar adult market anthologies like Sheree R. Thomas’s Dark Matter, and wondering what one for teens would look like. The answer is power and imagination like I’ve never before seen, in the form of a kick-ass, #BlackGirlMagic anthology that’s hella queer—I love it and wouldn’t have it any other way.

Before I became a literary agent, I was a children’s book editor. The editing of these stories was the easy part. It was super fun. The hard part was wrangling of everyone, haha. Thankfully they were amazing to work with and I wasn’t doing it alone—my then editor Kendra Levin also has a fantastic editorial eye.

As for what was rewarding, my younger self needed this. Like I said, it’s Black and queer. Since Toni Morrison passed, a day hasn’t gone by in which I’ve thought, about how she wrote for Black people, especially Black women, unapologetically. I feel that deeply. I got to work with some of my favorite writers writing today. How often does someone get to say that, you know. And, I grew a lot as a writer. I never thought I could write a short story, but I did. We’ve been getting some really great early reviews (like this beautifully-written starred review from Kirkus, OMG!) But going back to how my younger self needed this, the most rewarding thing has been the people who’ve reached out how excited they are to read it and how much they’ve been craving a book like this. It’s a dream come true. A dream I strategized to reach, worked my butt off on, and so yeah, I’m over the moon.

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Go to Wellesley Underground for the complete conversation!

The post Wellesley Writes It: Patrice Caldwell appeared first on E.B. Bartels.

For the full interview, see it on Fiction Advocate.
Published on August 20, 2019.

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Terese Marie Mailhot is from Seabird Island Band. She is the New York Times bestselling author of Heart Berries: A Memoir. Her book was a finalist for the Governor General’s Literary Award for English-Language Nonfiction and was selected by Emma Watson as the Our Shared Shelf Book Club PiCCK for March/April 2018. Heart Berries was also listed as an NPR Best Book of the Year, a Library Journal Best Book of the Year, a New York Public Library Best Book of the Year, a Chicago Public Library Best Book of the Year, and was one of Harper’s Bazaar‘s Best Books of 2018. She is the recipient of a 2019 Whiting Award, the Electra Quinney Award for Published Stories, a Clara Johnson Award, and she is also the recipient of the Spalding Prize for the Promotion of Peace and Justice in Literature. She teaches creative writing at Purdue University.

This month’s guest Non-Fiction by Non-Men interviewer is Céillie Clark-Keane. Céillie lives in Boston, where she currently works as a managing editor. She has a Master’s in English Literature from Northeastern University, and her work has been published by Ploughshares online, Electric Literature, Bustle, and more.

The post Non-Fiction by Non-Men: Terese Marie Mailhot, interviewed by Céillie Clark-Keane appeared first on E.B. Bartels.

Here’s the beginning of the interview:

Kwan Kew Lai ’74, M.D., D.M.D., is an infectious disease specialist who has volunteered her medical services all over the world and the author of Lest We Forget: A Doctor’s Experience with Life and Death During the Ebola Outbreak. In 2004, after the Indian Ocean earthquake and tsunami, she spent three weeks in India, caring for survivors. She soon left her position as a full-time Professor of Medicine in Infectious Diseases and Internal Medicine at UMass Memorial Medical Center and created a half-time position as a clinician, dedicating the other half of her time to humanitarian work.

Since 2005, Lai has volunteered as a mentor to health workers addressing the HIV/AIDS epidemic in Vietnam, Tanzania, Uganda, South Africa, Nigeria, Malawi and has provided earthquake relief in Haiti and Nepal, hurricane relief in the Philippines and drought and famine relief in Kenya and the Somalian border. She has also worked with refugees of the Democratic Republic of Congo and internally displaced people in Libya during the Arab Spring and South Sudan after the civil war and treated Ebola patients in Liberia and Sierra Leone. Most recently, she served as a medical volunteer in the Syrian refugee camps in mainland Greece and in Moria refugee camp on Lesvos, Greece for refugees from Syria, Afghanistan, Iran and the countries of the Sub-Saharan Africa and in the world’s biggest refugee camps for the Rohingya in Cox’s Bazar, Bangladesh. Lai has blogged extensively about her experiences.

Originally from Penang, Malaysia, Lai came to the United States after receiving a scholarship to attend Wellesley, where she studied molecular biology. “Without that open door I would not have gone on to become a doctor,” Lai wrote in her Doctors Without Borders bio. 

Lai has received numerous awards for her work, which include being a three-time recipient of the President’s Volunteer Service Award. In 2017, she was awarded Wellesley College Alumnae Achievement Award. In addition, Lai is the lead author of many publications and presentations. Her research has included HIV studies, infection control, hospital epidemiology, and antibiotic trials. She has served on many committees, task forces, and boards, including the Governor’s Advisory Board for the Elimination of Tuberculosis in Massachusetts. She is also an avid marathon runner and paints when she is inspired.

Wellesley Underground’s Wellesley Writes it Series Editor, E.B. Bartels ’10, had the chance to converse with Lai via email about Lest We Forget and about her experiences at Wellesley and beyond. E.B. would also like to make note that Lai made time to answer these questions even while busy with her 45th Wellesley Reunion! 

EB: How did Lest We Forget come about? What inspired you to write the book?

KKL: I first became aware of the Ebola outbreak in March of 2014, I began to follow it very closely. I read about Ebola when I was in my training as an infectious disease specialist. It is a deadly viral infection but it usually occurs in Africa and I knew that it would be unlikely for me to see a patient with this infection. In the summer of 2014 when WHO finally acknowledged the seriousness of the situation, the nightly TV images of people desperate to get into a hospital and bodies lying in the streets because they were too infectious to be touched, moved me. I knew I had to be in West Africa to volunteer.

I started blogging a few years ago when I went to volunteer to enable my family and close friends to keep abreast of my situation and so I did the same when I started volunteering in the Ebola Treatment Unit (ETU). Deeper into my volunteering I was very moved by the courage and resilience of the patients and the dedication and dogged determination of the people who worked alongside me and who risked their lives working in the frontline. After my first stint in West Africa, I was interviewed by NPR international health correspondent, Nurith Aizenman, about my experience and she had urged me to write a book. I had thought about that as well before she brought it up but I was too taken up into my second stint of Ebola volunteer by then. When I was in Sierra Leone doing my second Ebola volunteering, I was also contacted by an agency who wanted to represent me with either writing a book or making a documentary. However just before I left for Sierra Leone, I signed with my first agent about my book on Africa which is about my experiences as a volunteered doctor in HIV/AIDS and my work in the refugee camps. I did not feel it was ethically right to deal with another agency. Nevertheless, writing a book about Ebola became more urgent, I wanted to write this in honor and memory of the people afflicted by Ebola and the frontline bola fighters who put their lives on the line. It took me awhile for me to convince my agent to present my book on Ebola first before my book on Africa.

Go to Wellesley Underground for the complete conversation!

The post Wellesley Writes It: Dr. Kwan Kew Lai appeared first on E.B. Bartels.

For the full interview, see it on Fiction Advocate.
Published on February 14, 2019.

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Alanna Okun is a writer, editor, and crafter living in New York. She is currently a deputy editor at Vox, and she has previously worked at Racked and Buzzfeed. Her work has appeared in The New York Times, Brooklyn Magazine, Apartment Therapy, The Billfold, NPR, Vogue Knitting, The Hairpin, and other places. She has appeared on The Today Show and Good Morning America, as well as other local and national television and radio shows. Okun’s first book, The Curse of the Boyfriend Sweater, was published by Flatiron Books in March 2018.

This month’s guest Non-Fiction by Non-Men interviewer is Céillie Clark-Keane. Céillie lives in Boston, where she she currently works as a managing editor. She has a Master’s in English Literature from Northeastern University, and her work has been published by Electric Literature, Bustle, Entropy, and more.

The post Non-Fiction by Non-Men: Alanna Okun, interviewed by Céillie Clark-Keane appeared first on E.B. Bartels.

Here’s the beginning of the interview:

Crystal Marie Fleming, PhD, is a writer and sociologist who researches racism in the United States and abroad. She earned degrees from Wellesley College and Harvard University and is associate professor of sociology and Africana studies at Stony Brook University. Fleming writes about race, sexuality, and politics for publications including The Root, Black Agenda Report, Vox, and Everyday Feminism, among others, and she has tens of thousands of followers on social media. She is the author ofResurrecting Slavery: Racial Legacies and White Supremacy in France, which was published by Temple University Press in 2017, and How To Be Less Stupid About Race: On Racism, White Supremacy, and the Racial Divide, which was published this past fall by Beacon Press. Dr. Fleming is also writing a children’s book Rise Up! How You Can Join the Fight Against Racism, to be published by Henry Holt in fall 2020.

Wellesley Underground Founder and Editor-in-Chief, Shelly Anand, and Wellesley Underground’s Wellesley Writes It Series Editor, E.B. Bartels, had the opportunity to speak with Crystal about her new book, her evolving education around race and racism at Wellesley and Harvard, and her thoughts on the state of race and racism in the U.S., France, and the world.

Crystal: Thank you so much for taking the time to check out my book and to feature it on Wellesley Underground.

Shelly: We saw people talking about it on Twitter and both E.B. and I had a chance to read it over the holidays.

Crystal: Thank you for reading it!

E.B.: Of course! I am always excited to read a book by a fellow Wellesley alum.

Shelly: We were both interested in hearing about your process for how this book came about and when you realized that you wanted to write it. How did you make this book become a reality? What sparked the idea of I need to write a book about how people need to be less stupid about race?

Crystal: The short version is after the 2016 election I was feeling a lot of things: disbelief, despair, and anger, but also really motivated to write a book for the general public. My first book, Resurrecting Slavery, was an academic book, which was based on my dissertation. That came out in 2017. And while I was really happy with that professional milestone, I didn’t want to restrict my writing to a small group of academic specialists. So, I wanted to write something for a broader audience but I wasn’t sure what it was going to be. Then, finally, the idea for How to Be Less Stupid About Race crystallized in the aftermath of the 2016 election. As you can tell from the title, it was really about me being fed up with a lot of the racial ignorance I saw across the political spectrum. After I came up with the title and the pitch, I found a literary agent (Michael Bourret of Dystel, Goderich & Bourret), wrote a chapter that spring, and then really completed the bulk of the writing between summer 2017 and early 2018.

Shelly: E.B. and I loved the book’s blend of your personal experiences, pop cultural references, and citations to academic works in sociology and critical race theory. How did you find the balance in what voice to use, as both an academic and a younger black woman on social media?

Crystal: That’s a good question.  I would say that blogging and social media really helped me bring together the academic topics with language that could, hopefully, reach more people. I’ve spent a lot of time learning how to write clearly about my scholarly work and interests on social media, where millions of people have read my writing over the years. I wanted to write beyond an academic context so my blog was a space for me to reactivate my creative writing and to share some of my thinking in public and that was very different from strictly academic manuscripts. Once I started writing on my blog, and then eventually on Twitter, I developed a new way of distilling and explaining really complex ideas.

The great thing with social media is that people will tell you what they think about what you are writing. Sometimes folks will ask you: “What do you mean by that?” That helps with that distilling and clarifying. I started getting feedback from people and what I found was that a lot of people understood what I was saying, which was pretty reassuring.

Academics usually don’t receive any special training for writing in an accessible manner, so it took me a long time to develop that skill and find my own voice.  I really wish graduate schools and doctoral programs included more opportunities to learn to write clearly so that academics can broaden our teaching and impact, but instead we typically learn to write with a lot of jargon.

Go to Wellesley Underground for the complete conversation!

P.S. If you enjoy this conversation with Dr. Fleming and you live in the Boston area, be sure to come to her talk at Framingham State University at 4:30pm on Monday, February 4, 2019! I will be there!

The post Wellesley Writes It: Dr. Crystal M. Fleming appeared first on E.B. Bartels.

For the full interview, see it on Fiction Advocate.
Published on January 9, 2019.

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Maggie Nelson is a highly acclaimed poet, art critic, nonfiction writer, and professor. She is the author of several books including The Red Parts: Autobiography of a Trial, Jane: A Murder, Bluets, and The Argonauts. Her work has received much recognition including the National Book Critics Circle Award for The Argonauts in 2016 and most recently she received the MacArthur Fellowship. She currently teaches at USC in the English department.

This month’s guest Non-Fiction by Non-Men interviewer is Annie Dade. Annie is a Boston-based admirer of nonfiction, blended memoirs, and storytelling as a tool for social change. As both a student and a teacher, she has found deep appreciation for the craft in conversation with other writers whether they are third grade poets or college professors. She is grateful to speak with one of her favorite writers in this interview.

The post Non-Fiction by Non-Men: Maggie Nelson, interviewed by Annie Dade appeared first on E.B. Bartels.