Gloria Dickie is an award-winning journalist and the author of Eight Bears: Mythic Past and Imperiled Future. She is currently a global climate and environment correspondent at Reuters News Agency, based in London. Dickie has written for The New York Times, The Guardian, National Geographic, Wired magazine, Scientific American magazine, Al Jazeera, Public Radio International, The Atlantic, Outside, Columbia Journalism Review, Mongabay, Yale Environment 360, and Science News, among others. She was a 2022 finalist for the Livingston Award for Young Journalists, a 2021 finalist for the Covering Climate Now awards in the Breaking News category, a 2019 nominee for a National Magazine Award, and the inaugural winner of the 2017 Food Sustainability Media Award, Print. As a foreign correspondent and magazine writer, Dickie has reported from more than 15 countries and six continents, along the way receiving generous support from the United Nations Press Foundation; National Geographic Society; Overseas Press Club; Woods Hole Oceanographic Institution; Oregon State University; University of Alaska Fairbanks; National Tropical Botanical Garden; Fund for Investigative Journalism; Institute for Journalism and Natural Resources; and the Banff Centre for Arts & Creativity.

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To read the full interview, visit Fiction Advocate, and be sure to check out the previous installments of Non-Fiction about Non-Humans with Bethany Brookshire, Sabrina Imbler, Erica Berry, Tove Danovich, Karen Fine, Jaime Green, and Cat Warren!

The post Non-Fiction about Non-Humans: Gloria Dickie appeared first on E.B. Bartels.

Kea Krause is a brilliantly talented writer, a genius editor, and definitely one of the best people I know. Her writing is smart and poetic in every subject she takes on––from Great White Sharks to family alcoholism.

I feel so lucky to know her as both a writer and as a friend, and today I am super excited to brag on her behalf: Kea’s essay “What’s Left Behind”––about the largest contaminated body of water in the United States, a flooded copper mine in Butte, Montana––was published in The Believer last fall (read an excerpt here). Her essay was subsequently picked up by the Best American series, and today is the big day––the Best American series 2016 is out now on your favorite local bookstore’s bookshelves!

So go out and buy The Best American Science Writing 2016 right now and read Kea’s essay! Oh, I’m sorry, you’re not really into science writing? That’s okay, because Kea’s essay is also featured in The Best American Travel Writing 2016. No big deal.

Here is Kea in The Best American Science Writing 2016…

… and here she is in The Best American Travel Writing 2016!

Congratulations, Kea! So proud of you!

The post Writers You Should Know: Kea Krause appeared first on E.B. Bartels.

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Nonfiction is hard to pin down. When I tell people I write nonfiction, I assume they imagine 800-page biographies of dead presidents, or misery memoirs about years of drug addiction while parents are dying of cancer, or scathing book reviews in the Sunday edition of the New York Times. Nonfiction is too many things to be given one simple name, so it’s easier to define it by what it’s not. And the one thing it’s not is fiction.

“Nonfiction is the whole realm from investigative journalism to pose poems, from manifestos to love letters, from dictionaries to packing lists,” writes Rebecca Solnit in the introduction of her new book. “This territory to which I am, officially, consigned couldn’t be more spacious, and I couldn’t be more pleased to be free to roam in its expanses.” In The Encyclopedia of Trouble and Spaciousness, Solnit showcases all that nonfiction can do. “As nonfiction – that leftover term apotheosizing fiction – gets defined down as only memoir and essay, I’ve wanted to open it back up again, to claim it as virtually everything else,” writes Solnit in the introduction. “Calling this anthology an encyclopedia was a way to call attention to that range.”

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