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Amy Kurzweil is a writer and cartoonist. Her cartoons, comics, and prose have appeared in The New Yorker, New Yorker Daily Shouts, The Believer, The Toast, Spiralbound and Longreads, among others. She is the author of the graphic memoir Flying Couch, about her Jewish identity, her Holocaust-survivor grandmother, and inherited trauma. For more information follow her on Instagram or support her on Patreon. 

Amy is teaching a free Zoom Toon class this Sunday, October 11^th, at 2pm PT/5pm EST. Register here to join!

The post Non-Fiction by Non-Men: Amy Kurzweil appeared first on E.B. Bartels.

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With everything going on I completely failed to mention that I published this essay in the spring 2020 issue of Nobles Magazine. I loved interviewing artists Caroline Harrison, Gabriela Herman, and Kimberly Nguyen and getting to write about their careers and work. Read it in print in the spring 2020 issue or via Issu.

The post “The Few, The Mighty” in Nobles Magazine! appeared first on E.B. Bartels.

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I cannot tell you how excited I am to have an interview with Nina MacLaughlin up on The Believer Logger today. Nina has been a role model and inspiration to me since I first met her in spring 2015, right before the debut of her memoir, Hammer Head: The Making of a Carpenter. It was such a pleasure to talk to Nina about her new book Wake, Siren: Ovid Resung, which was published this past fall by FSG Originals. Thank you to Hayden Bennett at The Believer for his edits and for publishing the interview, and thank you to Nina for letting me ask her a million questions and for giving such thoughtful responses. I hope you enjoy reading the interview as much as I enjoyed doing it. Here’s the opening:

“THESE STORIES HAVE BEEN EXISTING IN ME ALL ALONG, LIKE HOW THEY EXIST IN ALL OF US, WHETHER WE KNOW IT OR NOT.”

Nina MacLaughlin and I went to the same high school, but not at the same time. She graduated nine years ahead of me—long enough that we didn’t overlap as students, but short enough that we shared many of the same teachers and experiences. Nina and I speak a common language—that of two people who both grew up in the suburbs of Boston, who both attended a New England prep school, who both studied a dead language, who both have spent their adult lives in Cambridge, who both love books and plants and art, who are both working writers.

Up until recently, Nina and I also had in common the fact that we both only write nonfiction—she is the author of Hammer Head: The Making of a Carpenter, a memoir about her decision to leave journalism (Nina wrote for The Boston Phoenix for almost a decade) and pursue carpentry. But I arrive at her Cambridge apartment—located on the first floor of an old brick building, a former Harvard dormitory—to chat with Nina not about writing what she calls “true books,” but about another kind of true writing: fiction.

Nina is the author of Wake, Siren: Ovid Resung, a modern retelling of Ovid’s Metamorphoses, published this fall by FSG Originals. Sure, it’s not nonfiction—but what is this book? A short story collection? A series of vignettes? An epic poem? A historical novel? Fan fiction? I arrive at Nina’s flustered from the extraordinarily hot August day—having walked the fifteen minutes to her apartment from my own, because we are neighbors, too—and also from the fact that talking about fiction is out of my usual comfort zone.

I trip on an uneven floorboard in the vestibule of Nina’s building—the same spot where I tripped entering Nina’s place for a housewarming party several years ago—but I catch myself. Nina and I exchange a sweaty hug, and she welcomes me in, offers a ginger beer, and I take a seat on her couch behind a beautiful wooden coffee table, handmade by Nina from a board from her grandmother’s house. Nina arranges herself in a chair across from me, her legs tucked up under a billowing skirt, and I wonder if we are still part of the same world.

—E.B. Bartels

Read the interview with Nina here.

Also, never forget:

Bojack Horseman (season 5).

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Sarah Dickenson Snyder is poet based in Massachusetts and Vermont. She is the author of The Human Contract (Kelsay Books, 2017) and the chapbook Notes From A Nomad (Finishing Line Press, 2017). Snyder’s poetry and prose have appeared in Bloodroot Literary Magazine, Teachers & Writers Magazine, Comstock Review, Damfino Press, Chautauqua, West Trade Review, The Main Street Rag, and Passager, among other magazines and anthologies. In May of 2016, she was a 30/30 Poet for Tupelo Press, and she has been selected to be part of the Bread Loaf Writers’ Conference. In addition to writing poetry, Snyder worked as an English teacher for thirty-seven years.

The post Non-Fiction by Non-Men: Sarah Dickenson Snyder appeared first on E.B. Bartels.

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Nina MacLaughlin is the author of Hammer Head: The Making of a Carpenter, a memoir about her transformation from journalist to carpenter. After spending her twenties as a staff writer at the award-winning alternative newsweekly the Boston Phoenix, in 2008 MacLaughlin quit her job to work as a carpenter’s assistant. Eight years later, MacLaughlin continues to pursue both building and writing. Her reviews and essays have appeared in the Boston Globe, Los Angeles Review of Books, The Believer, The Rumpus, The Millions, and Bookslut, among other places, and she has been a guest on All Things Considered. MacLaughlin also writes a blog called Carpentrix. She lives near the Charles River in Cambridge, Massachusetts.

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I was interviewed by The Nobleman! As the former Editor-in-Chief of the Nobles literary arts magazine, Calliopé, I was a little uneasy at first about talking with our rival publication, but it was actually a blast. Check it out.

Shout out to my interviewer, William Wang ’16, for asking such great questions. I even had to write a dog haiku on the spot.

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